Observations of the Fox

  I really wish I knew what happened to the files mentioned in this blog post . It sounds like it could have been really useful for something I'm currently working on. The current project still uses the 102 level Bronzewing building, because I've found the three booklets that have the raw maps in them... I've printed put one of the booklet sets and have started handwriting in it. Interesting places, evocative names, no real stories unfolding in the tower at the moment, but some prompts that might initiate some ideas when play unfolds. To add to this, I've generated a couple of random tables...but I was wondering if there was anything useful from my past attempts to use the Bronzewing maps...and I saw that post. Anyway... the whole idea at the moment is to use it in a Cyberpunk 2020/Red campaign. That's left me with a bunch of tables where I roll 2d10 and add a fifth of the floor level to the result. This basically means certain types of place and encounter are more ...

  7. Mercy What does it mean to have mercy? The first idea that comes to mind here is to not be too harsh or too hard with punishment when mistakes happen. There are some game systems that have very little mercy, especially when it comes to combat situations. I particularly think of this when it comes to low fantasy "gritty" games. On the other hand, many "slice-of-life" and "cosy-fantasy" games are far more merciful and forgiving. Is one style of game better than the other, is it better for a system or a GM to be merciful with the players? I've always tried to be a fan of the idea that different types of games and different styles of play are a better fit for different groups of players. Having a degree of mercy in the game turns down the immediacy and the tension in a game, but some games do better when they have some breathing room. Personally I often try to begin my game with an exploration phase where the players have lower stakes and a higher deg...

Looking through some other people's RPGaDay posts and then looking more carefully at the image where the prompts are found, I can see that each of the weekly rows has a sub-prompt that seems to be based on a distinct characteristic. and each of the daily columns has a sub-prompt (which seems to be based on that old poem of "Monday's child beig full of woe..."), when combined with the daily prompts and the text at the bottom of the image, a few people have been making characters for various games by combining these elements. I might try that for a series of posts ext month, picking a game system where I think that kind of character might fit, then building the character...or just trying to build each character type in a single system to see how versatile it is...   For the moment. I'm just going to keep plunging ahead with the prompts in the same way I have so far.  5. Burden Naturally, I'm reading this two ways. The first being a psychological burden that a ch...

Alright, next two. (I also noticed that there's a range of weekly prompts on the side of the chart. I might do these next months once the daily prompts have been dealt with)   3. Poise Calm and balance, readiness to move. There's often something of escapism here, players like their characters to feel in control of the situation... or should I be saying that players like to feel that their characters are in control. There's a subtle but important difference here. Are the characters in control, or are the players in control? Is there a tension that makes them feel like they aren't completely in control but they have enough agency to make a difference in the world around them. Poise is the readiness to act, knowing that something unstable or unsettling is on its way. Not just react, but act with confidence and determination. It's an experience that most players just don't reallt have in the physical world, and it's something that the group agrees to as it explo...

Quite some time ago, I was writing about the Vector Theory (wow, that was 16 year ago), describing a perspective on how games are run. It used illustrations like these.                     I still think there's some value in these ideas, however my current thoughts are less about specific flowchart paths that a story MUST follow, and now my thoughts tend to flow more organically because we can't account for crazy choices that players might make, or every type of action that characters might choose to engage.   So everything basically collapses back to the "Simple Path" or "Path of Clouds" in the images above.   The point here is that the Three Way Tension doesn't always only to the GNS triangle, the actual essence of the model applies to the specifics of the GM, the Players and the Rules.       We can look at this a few ways when considering the dynamics at the table. With each player pulling on the di...

  [ I forgot this was coming up, but even when I remember I usually do the "daily" posts. It's always interesting to read other people's responses to the prompts when I can find them as well.   1. Discipline Naturally, when it comes to TTRPGs, the first idea that comes to mind with the word "Discipline" is the range of supernatural abilities possess by the kindred in "Vampire the Masquerade". So, the next thing that I thik of is the bizarre range of disciplines possessed by the unusual clans and bloodlines in the game. Vicissitude for the Tzimisce, allowing them to transform into horrific demonic forms...Valeren for the Salubri, with the twin paths of the warrior and the healer.  So yeah, I was really annoyed with the changes made to the 5th edition of Vampire which culled all of those fun powers and stripped all the abilities down to the core Discipline paths, then made everything else a clan specific combo effect from the core paths. I can kind o...