Storifying Mage: The Ascension (Part 9) - Further Combat and Archetypes
Since we know that all weapons provide a total number of dice to roll for damage, and all forms of armour provide a number of dice to roll to absorb that damage, the basic idea I had was to ignore the dice altogether and use these values as flat numbers. For each opening exploited, the attacker uses one of the cards in their offence hand, and if the victim chooses to defend, they use a card from their defence hand. If the defence card is higher, the attack is blocked. If itās lower we subtract the card rank of the defence card from the offence card, the difference is referenced to a simple table.
Attackerās Damage minus Victimās Soak
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||||||
Attackerās Card minus Defenderās Card
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-3 or less
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-2 to -1
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0 to 1
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2 to 3
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4 to 5
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6+
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0 to 1
|
1
|
1
|
2
|
2
|
3
|
4
|
2 to 3
|
1
|
2
|
2
|
3
|
4
|
5
|
4 to 5
|
2
|
2
|
3
|
4
|
5
|
6
|
6 to 7
|
2
|
3
|
4
|
5
|
6
|
K/O
|
8+
|
3
|
4
|
5
|
6
|
K/O
|
K/O
|
If a victim suffers an injury
worse than their current injury level, they get shifted down to this degree of
injury. If they suffer an injury equal to or less than their current degree of
injury, they get moved one level worse off.
Iām pulling this across from
combat in miniatures games (particularly Confrontation) because itās fast, and
fast means that there is more time to get descriptive and inject more story in
the same timeframe. Youāll note two things about it, firstly that every successful
hit deals damage; it eliminates the āwhooshā factor prevalent in so many games.
Secondly, when someone is down it actually takes more effort to get them all
the way out of combat (thus eliminating some of that death spiral effect
inherent to most RPGsā¦.not circumvent it completely, but reduce the impact a
bit).
Iāll still be keeping the whole
Bashing/Lethal/Aggravated aspect of the Storyteller combat system, and while I
donāt want to track these separately that seems one of the easiest options. The
existing system tracks bashing wounds on the injury track with slashes [/],
while aggravated wounds are marked with a cross [X], and aggravated damage is
either completely coloured in or marked with an asterisk [*] filling the box.
If a character has two bashing damage [/][/], then suffers a lethal wound, the
first bashing damage is converted from a slash to a cross, and an extra slash
is added to the end of the injury track [X][/][/]. If the total bashing, lethal
and aggravated damage totals 7 (and fills up the injury track), the character
is put out of action for the duration of the combat. They might be dispatched (ie.
killed) once theyāve been put out of combat, otherwise the victim heals the
bashing damage pretty quickly, and the lethal/aggravated damage slowly. Iām
undecided at this stage about how to handle the difference between these damage
forms and how they combine to reflect the overall injury of a combatant.
One of the other things giving me
pause about this system of combat mechanisms is the fact that tables and story
driven games often seem to be at opposite ends of the roleplaying spectrum. So,
Iām not sure that this will be the final shape that the combat system takes.
While Iām considering the combat
system, and ensuring it integrates seamlessly with other elements of the
system, it might be worthwhile revisiting the rest of the system. Iām not really
happy with the way face cards simply count as extra successes (as long as one numbered
success is achieved), but Iām not sure of the best way to address this. Since I
want to make nature, demeanour and willpower more prominent, it might be
feasible to tie these into the mechanism. For this, Iāll take a note from the
existing descriptions of natures and demeanours in the core rule book.
As an example, letās pull up the
first Archetype in the bookā¦
Activist
The world is broken. Help fix
it. Speak truth to power, dig up secrets, call people out on their shit, and
reveal your plans for a better world to anyone who will listen. While apathetic
cowards sit back and tune out, you step up and do whatever needs doing. Sure,
folks might consider you a pain in the ass, but at least youāre making a
difference!
Action is your greatest
strength. Youāre not one to sit things out. Thereās no time to waste on mindless
self-indulgence and no room to stay scared of what might happen. The wolfās
already halfway through the door, and you refuse to let that bastard win.
Even so, your constant Outrage wears thin. Thereās never room
to sit back and enjoy life. As far as youāre concerned, complacency is a sin.
Your furyās justified, of course, but
it gets old all the same. Before you can truly Ascend, youāve got to balance
righteous pyrotechnics with calm acceptance. Life never has been ā and never
will be ā perfect. Finding a place of serenity within your storm is an
essential part of your transcendence.
- Regain Willpower when you
successfully confront abuse, right wrongs, or reveal an actual conspiracy and,
by doing so, bring it down.
Every archetype has a strength and
a weakness, and for most purposes in the Storyteller system these are simple
roleplaying concerns, but in a lot of more āindie-styleā storygames,
personality elements like these may actually be the only mechanisms of the game.
I had the idea that Willpower
might be a pool of cards that may be added to any action. The problem here is
that four characters with seven or eight willpower each, would have more than a
third of the total deck locked up in their willpower pools. So to make things
easier, we could use a separate deck of cards (maybe a standard deck to keep
these cards distinctly different from the others). If a character performs something
relating to their natureās strength, they could add a random card from this
pool to their current action. If a character accepts a penalty relating to
their natureās weakness, they could add a random card to this pool, if their
pool is already full, the player may discard their lowest card until the Willpower
hand is reduced back to a maximum size equal to the Willpower statistic. Since
the nature is feeding directly into this pool, the āRegain Willpowerā effect
needs to do something more prominent, it automatically adds a face card to the
pool (where face cards are automatic successes when they are randomly
contributed to an action).
Iām worried this is getting a bit
too complicated. Time to reassess.
Maybe poker chips?
Comments
The promise story then focus on combat, then they promise creativity and give the GM tool after tool to stifle it.
Try looking at this problem from a different angle:
You want players to have crunchy stuff to build their character with and for that crunchy stuff to have mechanical meaning, but you don't want to leave them frustrated that they couldn't do cool things when the GM didn't want them to.
So, how do you solve that problem? There are several games out there that already have in different ways.
My suggestion is to boil play down to two or three resources the players are managing and then add crunch to that.
You don't have to add cards, you can even stick to the old SAT-like bubble system, but you can add cards if you want.
Also, keep in mind that in spoken word stories and novels, combats are rarely all that long: two or three exchanges and then the story moves on. In action movies, they're long (the last half of that Avengers movie was all punch-em-up.)